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Lecture: Ronald Rael

Reception at 5.30 pm | Lecture at 6:30 pm
UW Architecture Hall 147 | Reception in 250

Both the lecture and reception are free and open to the public. Continuing education and IDP credits are available for attendance.

RONALD RAEL | http://www.rael-sanfratello.com/
Ronald Rael, B.Envd; University of Colorado, M.Arch; Columbia University

Ronald Rael is an architect, author, and Assistant Professor at the University of California, Berkeley with a joint appointment in the departments of Architecture and Art Practice. Prior to joining the faculty at Berkeley he was the co-director of Clemson University’s Charles E. Daniel Center for Building Research and Urban Studies in Genova, Italy, and coordinator of Clemson’s Core Digital Foundation Architecture Studios. He has been a member of the Design Faculty at the Southern California Institute of Architecture in Los Angeles, an Assistant Professor at the University of Arizona, and a Senior Instructor at the University of Colorado at Boulder. He earned his Master of Architecture degree at Columbia University in the City of New York, where he was the recipient of the William Kinne Memorial Fellowship.

Rael’s research seeks creative strategies for activism to permeate architectural design culture. Drawing from movements in the 1960s, such as the Chicano and land art movements, particularly the protest by land artists against a-contextuality, plastic aesthetics and the commercialization of art, and the Chicano use of the concept rasquachismo, which the artist, writer and Mac Arthur fellow Amalia Mesa-Bains defines as a tactic where “… the irreverent and spontaneous are employed to make the most from the least…[where] one has a stance that is both defiant and inventive. Aesthetic expression comes from discards, fragments, even recycled everyday materials…” Without making direct formal or ethno-cultural references to this work, his research and creative work transforms the practice of architecture into an activist endeavor—one that is defiant, inventive and tied to contemporary issues and design vocabularies. The work relies upon a deep understanding place, and its inherent resources, and makes careful links between a broad spectrum of tools that come from manual, industrial and digital approaches to making architecture.

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